study and introduction to lithographical illuminated copy of khale suskeh

following development of lithography during gajar ages, the picture of iranian books was common in a modern method. one of iran's past art is, short - lived one hundred years old, is painting lithography books. in the qajar period in the early twentieth century, was formed. lithograph drawings than other forms of iranian art show real- life implications of the public to effectively so that they are document the material culture and folk concepts that age. with the arrival of the printing industry in iran and the spread and development of independent print press court workshops, publishing publication and access to the masses of people, especially children, will provide. among all children's books that are printed in the qajar period, “khale suskeh” have special position because several times, is illustrated and printed. so that the culture and customs of this period reflects. in previous years, this book forms the image has been published. the story “khale suskeh” (that was read in school houses for children)“ poetry written in the form of a mathnawi. this book, originally from china to the country that after scribe translated and published .principal structure is the myth of love and kindness. the hero of the story are animals and creature. framework of the tale of a journey to find a husband and the hero (khale suskeh) for the husband to be familiar with different people and finally, the mouse will select as their ideal. after falling his wife in the soup pot, black khale suskeh's life, symbolically underscores the depth of their love. this article aims at introduction and study (review) of specification of images of lithographic copy of khale suskeh, and with approach analytical and descriptive to seek technical and visual attributes and features that will. recognizing these features comes to the conclusion that version of the illustration and fine calligraphy and images of persian painting has its roots in the tradition of illustration and enjoying of coherence and better coordination than the similar prototypes. it is probably one of the first common book of children's folk in lithography whose visual aspects have been observed considerably, so that it has inspired other painters in this field. properties and visual effects in this version, most follow the same structure so that its roots goes back to ancient times, dates .the layout of the book is based on the traditional book layout iranian and how to use visual elements and other principles follows of the foundations of art courses prior art, such as the use of the line, drawing table, scribe, and the picture and artists with help of folk arts, a new value in the visualization , the story offers. this research is examines the technical characteristics and the book layout and style features and pictorial principles(atmosphere, characterization and image processing) and aesthetic principles(lineament, lighting and texture, composition, unity, balance, diversity and coordination) and finally to understand the position of the image, other versions khale suskeh, has been studied and so that the special scores is indicated.